Through the intimate interactions of three generations of the Namgyal family, The Song Collector explores the uneasy
relationship between culture and development and ultimately offers a new vision, inspired by the Buddhist concept
of the ‘middle path’, that seeks to find a lasting coexistence between tradition and modernization.
A DOCUMENTARY FILM BY ERIK KOTO EDITED BY GRETCHEN BURGER
FEATURING MUSIC BY MORUP NAMGYAL WITH TSERING CHOROL AND STANZIN "NONO" SAMCHOK
FEATURING MUSIC BY MORUP NAMGYAL WITH TSERING CHOROL AND STANZIN "NONO" SAMCHOK
Festivals and Screenings
MountainFilm Telluride (world premiere)
Winner - Indomitable Spirit Award, MountainFilm Telluride
BANFF Mountain Film Festival
Seattle South Asian Film Festival
Buddhist Film Festival Europe
Brescia Mountain Culture Festival
Kathmandu International Film Festival
Winner - Awareness Film Festival merit award
Royal Anthropological Institute Film Festival Library
Vancouver International Mountain Film Festival
Ethnografilm Festival Paris
Rainier Arts Center screening series
NalandaWest spiritual center screening
Association for Asian Studies Annual Conference
Society for Visual Anthropology Film Festival
PBS broadcast - Reel NW
Northwest Folklife Festival
Press
http://www.seattleglobalist.com/2016/06/04/song-collector-captures-a-lost-buddhist-cultures-revival-in-india/52264
https://tricycle.org/trikedaily/bonus-clips-song-collector/
http://www.examiner.com/article/the-song-collector-to-premiere-at-telluride-mountain-film-fest-watch-trailer
http://www.telluridenews.com/news/article_7c61e188-2802-11e6-8849-63bd92a45318.html
https://www.thequint.com/blogs/2016/06/11/how-i-journeyed-to-ladakh-and-met-the-man-i-call-the-song-collector-morup-namgyal-mountains
https://blog.dashburst.com/video/song-collector-kickstarter-documentary/
http://www.mountainfilm.org/festival/awards/2016-norman-vaughan-indomitable-spirit-award
www.bbc.co.uk/programmes/b0bkrcs2
SYNOPSIS
Set high in the Indian Himalaya, Ladakh is home to a rich Buddhist culture and an ancient tradition of folk singing. In the 1960s as economic development thrust change upon Ladakh, Morup Namgyal, Ladakh's greatest folk artist, began his lifelong efforts to preserve his beloved folk songs. Using song as the medium, Morup and his peers sparked a social movement that would bring about profound and enduring change in Ladakh. It was a movement built on education, tradition, and preservation.
What Morup could not imagine at that time was that he would ultimately embrace development and modernization.
Morup lives with his wife, daughter and ten year-old grandson, Nono. Just as Morup learned the traditional songs from his grandfather, he is now teaching them to Nono. They practice in the living room, perform at wedding ceremonies, and visit Ladakh’s monuments to learn the history behind the songs. Despite the intrusions of modern technologies and entertainments, Nono loves learning the folk songs, and to Morup’s great delight, he is emerging as a talented young artist. However, none of this would be possible without the advantages of development, and Nono is only alive today thanks to the advances of modern medicine.
Through the lives of three generations of the Namgyal family, The Song Collector explores the uneasy relationship between culture and development and ultimately offers a new vision, inspired by the Buddhist concept of the ‘middle path’, that seeks to find a beneficial coexistence between tradition and modernization.
Set high in the Indian Himalaya, Ladakh is home to a rich Buddhist culture and an ancient tradition of folk singing. In the 1960s as economic development thrust change upon Ladakh, Morup Namgyal, Ladakh's greatest folk artist, began his lifelong efforts to preserve his beloved folk songs. Using song as the medium, Morup and his peers sparked a social movement that would bring about profound and enduring change in Ladakh. It was a movement built on education, tradition, and preservation.
What Morup could not imagine at that time was that he would ultimately embrace development and modernization.
Morup lives with his wife, daughter and ten year-old grandson, Nono. Just as Morup learned the traditional songs from his grandfather, he is now teaching them to Nono. They practice in the living room, perform at wedding ceremonies, and visit Ladakh’s monuments to learn the history behind the songs. Despite the intrusions of modern technologies and entertainments, Nono loves learning the folk songs, and to Morup’s great delight, he is emerging as a talented young artist. However, none of this would be possible without the advantages of development, and Nono is only alive today thanks to the advances of modern medicine.
Through the lives of three generations of the Namgyal family, The Song Collector explores the uneasy relationship between culture and development and ultimately offers a new vision, inspired by the Buddhist concept of the ‘middle path’, that seeks to find a beneficial coexistence between tradition and modernization.